Every death in the saga Final Destination, based on a tangle of elements that lead to spectacular death, terrible and inevitable character. These few critical scenes are still to come, much like fighting a Bruce Lee movie. Unfortunately, since we tightens the exact same pattern since 2001 is difficult to make exciting interludes that separate the expected bravura ... The second episode was a crucial choice, that of concentrating its energy on the mechanics fatal almost no plot, but an incredible pleasure to each killing. The formal inventiveness of David R. Ellis brought dramatically to the success of the excellent Final Destination 2 . But this emptiness is more narrative which made the experience so visceral, so intense. For the episode too, the one who has nothing more to tell and who seek only to show off the 3D view with ... so it's no surprise that the producers made a new appeal to this fine team.
"At the root of everything, there is nothing" Jean-Louis
Nothing.
The writer Eric Bress therefore his job in half, and that's just fine. As proof, when the epilogue a theatrical household, it is not based on any tangible evidence placed before. As at the beginning, it is sloppy (the initial accident is worth nothing compared to the highway's Opus 2) and the end, even more. A final scene that at least has the merit of being honest about the lack of substance posted Authors: skeletons, translucent MOREOVER are broken into a thousand when only hemoglobin retains its texture and color to the picture. Empty characters and blood: the winning formula of the film is symbolized by the image terminal. But in the meantime then? Meanwhile, a few bursts will tell you that the payment for the rental of glasses has not been justified long ago. It was sad to see that the transition in 3D the most successful Upstairs pub Haribo was aired just before the movie. This time, there's something for his money!
A Pub Haribo 3D: it's free.
Candy Haribo sweets at the counter : It is 10 € to 300 grams. Pay 10
rentals 3D glasses in a year of cinema: it is priceless ...
Guilty of random inspiration, however, is criticized for having lowered Eric Bress - and that's a first! - A speedy death-gag (one of the "condemned" dies abruptly without the film has pushed up the sauce as usual), and also that again the wrong track. In Final Destination 2 , a kid in extremis leapt out of a terrifying trap when the electric and / or suffocation was waiting every second, only to die squashed by a glass plate while trying to fly pigeons (yes I know ... it's great). Here Rebelote: a character dies of an absurd way while David Ellis had striven to raise unrealistic pressure (fluid on the ground, fan cut-detached head, etc..). Even when they turn to empty as here, these passages are always effective, especially tetanic, and what a pleasure to see them again enhanced by the effects of terrain. The spectator passes each sequence to hide eyes. Good then, but that's deja vu? Tut-tut. There is new in DF4 : saving time and maximizing terror, Ellis features a double-death in parallel connection. A monster thriller, snorkeling (literally!) To the sequence most captivating of all. Also new: the "death" into abyss, at the final sequence. Without giving too much away, the passage evokes the strangely grand finale of Inglourious Basterds. Like Tarantino, Ellis what love is exploding the borders of its executives. So when he filmed an explosion, do not come complaining if you leave the room with a few burnt hair ...
"At the root of everything, there is nothing" Jean-Louis Nothing.
The writer Eric Bress therefore his job in half, and that's just fine. As proof, when the epilogue a theatrical household, it is not based on any tangible evidence placed before. As at the beginning, it is sloppy (the initial accident is worth nothing compared to the highway's Opus 2) and the end, even more. A final scene that at least has the merit of being honest about the lack of substance posted Authors: skeletons, translucent MOREOVER are broken into a thousand when only hemoglobin retains its texture and color to the picture. Empty characters and blood: the winning formula of the film is symbolized by the image terminal. But in the meantime then? Meanwhile, a few bursts will tell you that the payment for the rental of glasses has not been justified long ago. It was sad to see that the transition in 3D the most successful Upstairs pub Haribo was aired just before the movie. This time, there's something for his money!
A Pub Haribo 3D: it's free. Candy Haribo sweets at the counter : It is 10 € to 300 grams. Pay 10
rentals 3D glasses in a year of cinema: it is priceless ...
Guilty of random inspiration, however, is criticized for having lowered Eric Bress - and that's a first! - A speedy death-gag (one of the "condemned" dies abruptly without the film has pushed up the sauce as usual), and also that again the wrong track. In Final Destination 2 , a kid in extremis leapt out of a terrifying trap when the electric and / or suffocation was waiting every second, only to die squashed by a glass plate while trying to fly pigeons (yes I know ... it's great). Here Rebelote: a character dies of an absurd way while David Ellis had striven to raise unrealistic pressure (fluid on the ground, fan cut-detached head, etc..). Even when they turn to empty as here, these passages are always effective, especially tetanic, and what a pleasure to see them again enhanced by the effects of terrain. The spectator passes each sequence to hide eyes. Good then, but that's deja vu? Tut-tut. There is new in DF4 : saving time and maximizing terror, Ellis features a double-death in parallel connection. A monster thriller, snorkeling (literally!) To the sequence most captivating of all. Also new: the "death" into abyss, at the final sequence. Without giving too much away, the passage evokes the strangely grand finale of Inglourious Basterds. Like Tarantino, Ellis what love is exploding the borders of its executives. So when he filmed an explosion, do not come complaining if you leave the room with a few burnt hair ...
Good memories of "Mom, mom ... cool, pigeons!" is to see below here:
